In Sopron, where the old town has extensive period architecture, we found an area which reminded us of Estonia and decided it would work perfectly. We scouted quite a lot and visited a fair number of Hungarian towns and cities to find the right match. So we shot in Hungary, not in Budapest, but in a city called Sopron, which we’d visited with our production designer, Marco Bittner-Rosser. We traveled to Estonia to shoot the establishing locations, but we came to the conclusion that filming entirely in Estonia is not as practical as it should be. Given that a substantial part of season three takes place in Estonia, were you filming on location there or did Hungary fill in for the country? Michelle Forbes as Valerie Edwards and Keke Palmer as April Lewis. Berlin Station Season 3 Episode 307: The Eye Fears When It Is Done To See. So if we’re referring to seasons one and two, then it’s true-we had a perfect split between the location work and studio shoots at Babelsberg, while in season three, we had the same scenario, but with a rental stage at a Budapest studio. We did this because so many other background locations were set in the East. Seasons one and two were shot in Berlin and Babelsberg, but for season three, we moved the complete station to Budapest. He led us through the show’s seamless combination of locations and built environments, highlighting where Hungary visually fills in for other nations, how to show hyped Berlin in a balanced way, and why one pivotal scene takes place in an actual Viennese sewer.Ĭan you give me a general breakdown of how much/what’s on location Berlin versus what’s built at Babelsberg Studios, in Potsdam? Michael Scheel was a producer on the show’s first two seasons and is an executive producer for season three some of his English-language credits include Alone in Berlin and Inglorious Basterds. Much of Berlin Station is shot on location, and it’s hard to tell when the show’s scenery has moved to a lot at Potsdam’s Babelsberg Studios. In dealing with this threat, Daniel offers some befitting Trump side-eye to youthful Estonian glue-huffers, while elsewhere, a European representative at a secretive international security meeting demands to know if she’s been brought there to hash out “the two percent thing, again.” These issues, brought up in the background of the show’s action, are probably familiar to US audiences, but the backdrops themselves-a remarkable set of locations and builds across Europe-are likely less so.Ĭonfronting the ramifications of on-the-ground international relations is far more visually arresting when these matters come to a head in an opulent nightclub, or an oligarch’s dacha, or even a grand old Berlin altbau apartment. Analyst-turned-undercover officer Daniel Miller (Richard Armitage) and his deputy chief Robert Kirsch (Leland Orser) are off to Estonia, where a younger agent, Rafael (Ismael Cruz Cordova) has almost certainly uncovered a covert Russian invasion. office, spy novelist Olen Steinhauer’s first television series works hard to examine the moral gray area of international espionage, as well as the real-world implications of complex ethical decisions made by well-meaning spies out in the field and less well-meaning career politicos in cushy, distant offices.Īfter taking on the German far right in season two, Berlin Station’s third season turns its gaze to the East. In depicting the inner workings of a fictionalized Berlin C.I.A. operatives of Epix’s Berlin Station have found themselves mired in complex situations wrought by any number of familiar cranks and villains-internal whistle-blowers, far-right political parties, Russian thugs, mysterious hackers, and the list goes on. On one of the very few scripted television dramas to reflect the current global political climate, the covert C.I.A.
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